B.N. Goswamy’s Final Book Explores the Paradoxical Nature of the Indian Cat
In his final book, “The Indian Cat: Stories, Paintings, Poetry, and Proverbs,” the late art historian B.N. Goswamy delves into the captivating world of feline folklore and art in India. Through a collection of Hindu, Buddhist, and Muslim fables, Indian paintings, and poetry in various languages, Goswamy unravels the paradoxical nature of cats in Indian culture. From revered symbols of worship to mischievous creatures, cats have long held a significant place in Indian society. This comprehensive exploration offers readers a unique perspective on the complex relationship between humans and cats in the Indian context.
1: The Dual Perceptions of the Feline
Goswamy begins by delving into the ancient oral and written folklore that shaped the dual perceptions of cats in Indian culture. The Sanskrit term marjara-nyaya describes the surrender of devotees to deities, likening it to a kitten surrendering to its mother’s protective embrace. However, marjara-vrata, or “cat’s vow,” portrays cats as deceitful creatures. These contradictory views can be traced back to various cultures across the Indian subcontinent, with Hinduism embodying the ambivalence inherent in its philosophy.
2: Cats in Indian Art
The book showcases 58 Indian paintings from museums worldwide, highlighting the affinity for cats throughout history. From royalty to courtesans to mystics, cats have been cherished companions across different social classes. Interestingly, Mughal representations of Biblical themes often feature cats, while European works largely omit them. Goswamy suggests that Indian painters sought to create more naturalistic settings by including cats in their depictions.
3: Cats in Indian Poetry
Goswamy explores the portrayal of cats in Indian poetry, drawing on verses written in Urdu, Hindi, Bengali, and English. Poets like Mir Taqi Mir and Mirza Ghalib celebrate their feline companions, depicting cats in a positive light. Through these verses, the author highlights the deep affection and admiration poets have expressed for their cats throughout history.
4: The Cat’s Perspective
In a playful twist, Goswamy gives the cat a voice in the final section of the book. Similar to his previous work on the painter Nainsukh, he allows the cat to express her thoughts on the proverbs and gossip surrounding her kind. While refuting allegations of pretension and hypocrisy, the cat admits to indulging in unguarded food and milk in her vicinity. This imaginative approach adds a touch of whimsy to the book and further humanizes the feline subject.
Conclusion:
“The Indian Cat: Stories, Paintings, Poetry, and Proverbs” offers a captivating exploration of the complex relationship between cats and humans in Indian culture. B.N. Goswamy’s final book showcases the paradoxical nature of cats, from their revered status in some religions to their mischievous reputation in others. Through a rich collection of fables, paintings, and poetry, readers gain a deeper understanding of the deep-rooted affection and intrigue that cats have inspired in Indian society. Goswamy’s unique perspective and meticulous research make this book a must-read for art enthusiasts, cat lovers, and anyone interested in the rich tapestry of Indian culture.
(Note: All images courtesy of Aleph Books)
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