London’s Royal Academy of Arts showcases a groundbreaking exhibition that sheds light on the lesser-known works on paper by Impressionist masters.
A new and groundbreaking exhibition at London’s Royal Academy of Arts is set to celebrate the radical works of Impressionist artists such as Van Gogh, Degas, and Cézanne. While their iconic paintings have garnered worldwide recognition, it is their revolutionary works on paper that are taking center stage in this unique showcase. Through an exploration of how these artists elevated the status of artworks created on paper, the exhibition sheds light on a transformative period in the art industry.
The Shift in Status:
During the last three decades of the 19th century, artists in Paris witnessed a significant shift in the perception of works on paper. Traditionally, drawings were seen as mere preparations for paintings. However, with the availability of technological advancements like charcoals, chalks, and machine-produced paper, artists began to recognize the value of creating complete and worthwhile drawings and works on paper. Ann Dumas, the curator of the exhibition, explains that these works on paper gained a newfound prestige and stood on their own as significant artistic achievements.
The Exhibition’s Highlights:
The exhibition brings together 77 delicate and rarely seen works on paper by some of the greatest Impressionist and post-Impressionist artists. Visitors will have the opportunity to view works by renowned artists such as Renoir, Degas, Manet, Monet, Van Gogh, and Toulouse-Lautrec, among others. These works, which are rarely displayed due to their sensitivity to light, offer a unique glimpse into the enduring popularity of Impressionism and trace the movement’s emergence from the late 19th century to the early 20th century.
Unveiling Hidden Gems:
Among the treasures on display is Georges Seurat’s preparatory work for his famous painting ‘Bathers at Asnières.’ This rare glimpse into the artist’s process allows viewers to witness the evolution of his masterpiece. Edgar Degas’ iconic ballet dancer works, including ‘Dancers on a Bench,’ also take center stage, showcasing the artist’s mastery of capturing movement and grace. The exhibition also aims to shed light on female Impressionist artists, such as Eva Gonzales, who have often been overlooked in favor of their male counterparts. By showcasing their works, the exhibition offers a fresh perspective on the Impressionist movement.
Exploring New Techniques:
Art critic Estelle Lovatt highlights the significance of the exhibition, as it unveils new aspects of the Impressionists and post-Impressionists. The use of new materials, such as innovative ways of making pastels, watercolors, and transportable paper, allowed artists to work en plein air, or outdoors, capturing the essence of their surroundings. This emphasis on spontaneity and direct observation became a defining characteristic of the Impressionist movement.
Conclusion:
The ‘Impressionists on Paper: Degas to Toulouse-Lautrec’ exhibition at London’s Royal Academy of Arts offers a rare opportunity to delve into the radical works on paper by some of the world’s greatest artists. By showcasing these delicate and often overlooked pieces, the exhibition reveals new insights into the Impressionist movement and highlights the artists’ innovative techniques and evolving artistic practices. As visitors immerse themselves in this unique collection, they will gain a deeper appreciation for the mastery and creativity of Van Gogh, Degas, Cézanne, and their fellow Impressionists. The exhibition serves as a reminder of the enduring power and influence of these revolutionary artists.
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