The legendary Broadway actress Patti LuPone expresses her disillusionment with the state of Broadway and her decision to leave the Actors’ Equity Association.
In a candid conversation with former Secretary of State Hillary Clinton on the iHeartPodcast “You and Me Both,” Patti LuPone, the iconic Tony Award-winning actress, revealed her deep concerns about the future of Broadway. LuPone, known for her powerful performances in shows like “Evita” and “Company,” expressed her belief that Broadway is no longer sustainable and announced her departure from the Actors’ Equity Association (AEA), the union representing actors and stage managers. This article explores LuPone’s reasons for leaving the AEA and her thoughts on the state of Broadway, as well as her shift towards film and television.
Broadway’s Decline and LuPone’s Departure from the AEA
LuPone’s dissatisfaction with Broadway is not a recent development. She left the AEA in October, stating her frustration with what she called the “worst union” after being a member for five decades. LuPone criticized the AEA for not adequately supporting actors and not providing value for the dues she paid. By resigning from the union, LuPone is no longer restricted to performing exclusively in AEA-affiliated productions. Although most Broadway shows primarily employ AEA members, alternative contracts such as guest contracts or non-equity contracts are sometimes available for regional and touring productions.
A Shift Towards Film and Television
LuPone’s decision to distance herself from Broadway has opened doors in the world of film and television. She has already secured roles in Netflix’s “The School for Good and Evil,” a return to “American Horror Story,” and Marvel’s upcoming “Agatha: Darkhold Diaries” series, a spinoff of the popular show “WandaVision” set to premiere on Disney+. LuPone’s transition reflects a growing trend among actors seeking diverse opportunities beyond the stage.
LuPone’s Critique of Young Performers and Theater Critics
During the podcast, LuPone expressed her concern about the younger generation of performers who she believes lack the determination and resilience necessary to succeed in the industry. She emphasized the importance of loving the craft and embracing challenges. Additionally, LuPone shared her disappointment in theater critics, suggesting that they have not shown a genuine love for the theater. She echoed playwright David Mamet’s sentiment that critics’ opinions should not matter as long as they support and appreciate the art form.
Family and Legacy
LuPone’s departure from Broadway and her concerns about the industry extend beyond her own career. As the mother of a son who aspires to work in theater and film, she worries about the challenges he will face in today’s world. LuPone also spoke about the joy of sharing the stage with her son and offered words of encouragement to aspiring performers in their thirties, urging them to persevere and remain courageous in pursuing their dreams.
Conclusion:
Patti LuPone’s departure from Broadway and her scathing critique of the industry raise important questions about the sustainability and future of the theater world. While her decision may be seen as a personal choice, it reflects broader concerns about the changing landscape of Broadway. As the industry grapples with the impact of the pandemic and shifting audience preferences, it must address the issues raised by LuPone and other theater professionals. The theater community must find ways to support and nurture talent while adapting to the evolving demands of audiences. Only then can Broadway regain its vitality and continue to captivate audiences for generations to come.
Leave a Reply